Tuesday, 24 December 2024

It’s the vibe of the thing…

Sometimes I put on Martha Marcy May Marlene to get sucked into the scenery of the film. I like the grainy, natural, dank atmosphere, the mood of the locations, they’re contrasting a lot of the tension in the film itself, in the chaos going on internally in Martha’s head, the order Lucy tries in instil. Even the chaos and conformity she deals with in the cult become seductive for how beautiful the location is. It’s ended up one of those comfort movies I need to turn off certain parts of my brain despite the themes.

Lost in Translation is another “vibe” movie. Cultural insensitivities aside, the mood set within the hotel and even the nighttime streets of Tokyo is so ethereal and even liminal. I have a weird need to feel burnt out with jet lag in hotels late at night, unable to sleep. Everything feels hermetically sealed and encapsulates you, the gentle lighting and reflections in the windows create such an atmosphere you get sucked into. I’m not descriptive enough but I can easily describe this sensation I get simply viewing a film outside of engaging in the plot.

I can’t think of many other things I go back to based entirely on mood over story. Maybe That Thing You Do gives me a vibe, or Empire Records, but they tend to tap into the teen you were when you originally watched it. Say Anything… has beautiful scenes but it’s less consistent. I’ve avoided films I know upset me, I’ve diverted attention from “depressing” shit to avoid having extreme emotions, even good ones, I’ve been having hyper moments I hate triggering with something I find uplifting.

I’m also fucking pissed I’m growing a list of films I legit want to see and still can’t stream. I’m actually wishing video stores were a thing again, I could’ve rented the fucking DVD by now. YouTube has free movies but they’re largely crap, I won’t rent off YouTube considering what I pay, I feel like they should include a month of free rentals with every subscription, you can rent whatever the fuck you want for no extra cost, fuckin’ Audible allows for monthly credits, one movie or show a month doesn’t seem that fucking unreasonable. Maybe you’d keep subscribers longer. My willingness to go to a movie theatre was resurrected based on the 28 Years Later trailer, and the new Nosferatu. I still want to see fuckin’ Challengers and Poor Things, I despise they’re not on Netflix and I have to wait to see if they maybe show up one day. Same time, I don’t want the pressure of watching a film about to “leave” the platform and I’m nowhere near in the mood to see it but you’re forcing me to make time for it or it’ll disappear. So then I don’t do it out of spite. I know shit comes back but there’s no guarantee it will. I could chance buying these and hope they’re good, I’m so averse to renting off a platforms I already throw money at.

Sunday, 15 December 2024

Sia Part II. It was worse than I realised.

I appreciate Evasive’s series on “This group watches this offensive film” but sometimes audiences think they know what they want, so they demanded “Autistics Watch Sia’s Music” and somehow this was the most offensive film you could present any group of people.

I already talked about the autism shit, I know she was diagnosed, I think she’s left the internet at the right time. But I also didn’t know she’d ended up in the weirdest, most isolated social bubble. Because she inserted herself into the film as herself, who was purchasing oxy and other pain meds illegally from Music’s sister to ship to Haiti on the basis other charities couldn’t even get on the ground to do it. So somehow, on top of insulting autistic people, she managed to be a White Saviour character, all while convincing Ben Schwartz he’d look good in cornrows (and a slight tan as well). There were a lot of people involved in this who were scammed into something really inappropriate, surely while reading the script someone should’ve said, “Hang on, Sia. This is racist/ableist maybe don’t put it in.” That way, it probably would’ve cut itself into nonexistence given there was nothing salvageable. Kate Hudson can’t just drunkenly blurt out she doesn’t care another character from Africa has AIDS while hitting on them. You can’t just “crush autistic kids with love “ it’s actually illegal in many states. It was Autism Speaks propaganda, but the character of Music has no development, she’s only a catalyst for everyone else to revolve around while Kate Hudson goes through a cliched drug addict storyline. Then she decides not to dump Music in a care home. All we know is she loves dogs so another “love interest” with autism buys her one despite never interacting with her and being killed off right after. Music is exactly how Autism Speaks wants us to see these kids, as needlessly troublesome, deadweight stress-inducing burdens that need to be either fixed or isolated from society, or at worse, exterminated. I don’t think Kate Hudson’s character is supposed to look good when she’s demanding Music “behave and get all her shit out of her system”. If anything, you could argue she’s autistic but had to mask her meltdowns and she turned to drugs and booze. I know Sia went through all this herself with incorrect diagnoses like Bipolar, her music reflected her own spiral, if she wanted to make a movie about her experiences, she did a better job of that while tacking on a whole other pointless character to maybe generate interest in the film. It feels highjacked by her ego.

I feel awful for Maddie now seeing she really was going full R-word for no good reason, and clearly knew she was doing an insulting performance and had Sia talk her through this and trick her into thinking it was an honest portrayal of ONE human with developmental disorders which barely looked like actual autism. In the 90s and early 2000s, you had your Gilbert Grapes and I am Sams and Rain Mans, that were supposed to be honest but were exploitative even by standards back then. This was made in 2020 where anyone with any sense would know this was wrong. And she had three years of editing while clearly isolating herself where she could’ve just given up and saved herself the public humiliation, but pushed through and wound up putting herself back in rehab. It didn’t serve her, the public or autism. The best it did was really, finally demonise Autism Speaks and expose their shitty agenda. They’ve “given up” finding a cure but they’re still misrepresenting shit and blaming externalities which have nothing to do with anything.

And that overshadows the racism in the film. If she wanted to make her dumb music videos with their simplistic, Play School BS production values, she could have. If Maddie hasn’t distanced herself from Sia by now, she needs to. It’s bizarre Sia asserted Maddie was on the verge of being exploited then exploited her anyway. Sia’s gone back to making music, I think she was better off writing for other people when she was in her pre-Guetta days making reasonably solid albums and memorable songs that were overused in TV shows and commercials. We didn’t need this movie, all good intentions aside, what a way to pave a road to the hell that is being cancelled on Twitter. And being cancelled as much more to do with how big you are and not what you did. It’s about how badly people want you to fail more than the crime itself, otherwise other unknowns would’ve suffered backlash for doing exactly what a hugely popular person did. And everyone bounces back, nobody’s ever cancelled. But if you can see yourself being subjected to this amount of hatred before you even do the thing, or release it, maybe don’t. She hoped the sincerity would outweigh the offensiveness. Sorry.